La piel del intercambio
In between Skin 1 and 2
In distracted times of overproduction
(I’m distracted by overproduction)
I want to talk about it but there are no sticky bits
nothing that references the word bank
or is reminiscent of that tasty threshold
Something keeps slipping out from under the font: the word’s designed skin
makes a space for new inhabitants.
Lenguaje is SPATIAL.
Confronting my inadequacies is like spiritual crack,
dressed in fur
Knowing what it feels like to lose. Sensation(al).
Andrea Spaziani is a Canadian choreographer, performer, and MFA candidate at the Transart Institute/Plymouth University. She’s interested in writing technologies, and the work of perception.
Recent works have been presented at the Judson Gym (NYC), Flowchart (Toronto), and her trio Rafters at The Citadel (Toronto) for Audio Guides, produced by Project Humanity. She is currently collaborating with Alicia Grant on the experimental dance documentary ‘Aggro Infinitum’, and performance work ‘Chronic Need’.
As a performer she has worked with notable artists such as Heidi Strauss, D.A. Hoskins, and Mårten Spångberg. Upcoming: ‘The Cage is a Stage’ by Emily Mast (Los Angeles) at the Blackwood Gallery in Mississauga.
She is curating SPACEBODIES II for the Transart Triennale at Uferstudios in Berlin (GE), and is attending the HEIMA artist residency in Seyðisfjörður, Iceland this Fall.
She is the 2016-2019 Artist in Residence at Toronto’s Dancemakers Centre for Creation.
Recent publications include ‘Exiting, Re-Existing’, and ‘Unbecoming Ego’.